It is commonly used to discuss chords and chord progressions. Only Roman Numerals 1-7 are used For example: I, II, III, IV, V, VI, VII. Uppercase Roman numerals are for chords that are Major chords. Lowercase is used for minor and diminished chords. The table below should clarify what the actual numbers are and what the scale degree is that The triads that start with D, E, and A have flattened thirds, and are consequently minor chords. This is how a major key comes to contain minor chords. In any major key, the 1st, 4th and 5th chords will be major. In the example given here, the C chord was the 1st chord and the D chord was the second chord of the C major key.

Similarly to primary chords, it’s really easy to work out the secondary chords in any key – they are the triads built on notes II, III and VI. So, in C major the secondary chords are D minor (II), E minor (III) and A minor (VI). Notice how these chords are all minor chords – these contrast with really well with the primary chords which

Minor keys, along with major keys, are a common choice for popular music. The three most important chords, built off the 1st, 4th and 5th scale degrees are all minor chords (F♯ minor, B minor, and C♯ minor). For chord progressions, statistics, and tendencies, view this key in Hooktheory Trends
FOUR Chord Progressions You Might Know About Already Four simple but effective chord progressions you can use in virtually any style of songwriting. 1. Those Four Chords – Major Edition I V vi IV C major C G Am F G major G D Em C E major E B C#m A 2. Those Four Chords – Minor Edition i VI III VII A minor Am F C G D minor Dm Bb F C
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This progression is Roberta Flack’s “Killing Me Softly With His Song” in A minor: Roberta Flack - Killing Me Softly With His Song (Live 1973) Am – F – G – C – Am – D – G – F – C – F – Bb – Bb – A – A. What’s important to notice here is that the D chord, Bb chord, and A chords don’t belong to the key. B6zo.
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  • minor scale chord progressions